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Madeline and Helen, locked in a lifelong battle for beauty and the spotlight, stumble upon a magical potion promising everlasting glamour. But as they sip the elixir, their lives take a hilariously horrifying turn. With bodies bending and defying gravity, and secrets deeper than their desire for perfection, the question remains: can their friendship survive the ultimate makeover, or will their rivalry lead to a showdown?
Note: Producers cannot guarantee the appearance of any particular artist, which is always subject to illness and holidays.
The Lunt-Fontanne TheatER is one of Broadway's most elegant theaters, known for its beautiful architecture and rich history. Opened in 1910, the theater has played host to numerous iconic productions and has a history that ranges from being an early pioneer in using a retractable roof to its transformation into a movie house and its eventual restoration as a legitimate theater. Its auditorium, adorned with photographs from Alfred Lunt and Lynn Fontanne’s private collection, continues to charm audiences today. Previous productions include Ghost The Musical in 2012 and The Addams Family in 2010.
Seating Capacity: 1,505
Lunt-Fontanne Theater Seating Plan will help you find the best seats in the theater.
Address: 205 West 46 Street New York, NY 10036
Subway: Take the C, E train to 50th St or the N, R to 49th St.
Available facilities: gift shop, Bar, toilets
Accessibility: Accessible toilets, assistance dogs allowed, wheelchair spaces available in all sections
Megan Hilty is at the top of her game, giving her all to this role. She's a talented performer and, in my opinion, perfectly suited to the role of Madeline. - Jennifer Simard as Helen was a wonderful foil to Hilty's Madeline. Madeline is very over-the-top, and Helen, at least for the first half, is a poised and boring woman. Personally, I preferred Jennifer's voice to Megan's, even though both were excellent. I felt Jennifer articulated better. This was my first time seeing her in a production, and I was amazed. - The scene where Madeline gets pushed down the stairs is so cleverly done. I'm not sure if Megan Hilty had a stunt double for that scene, but it looked like she did it to me. If anyone knows more about the technical aspects of this part, I'd be interested in learning more. I don't have any photos because they were prohibited.
This Entire Cast put on an unbelievable Performance...The show was Fantastic in every way...All of us that attended had the best Time of our lives ...Kudos to the Writers and Directors and anybody else involved with this hilarious masterpiece
Show was fantastic and all arrangements at the theatre went smoohtly.
I was curious to see how they were going to adapt the movie, and wondered if the dark humor would be glossed over. It didn't take long to have those concerns addressed and taken away! This is a funny show. The acting is excellent and the songs are very well done. We enjoyed every single minute. Bravo to the cast and crew! A+
Excellent production. Spectacle, singing, dancing—everything you want to see when you go to Broadway. The performances and voices of the lead actors are outstanding.
View original review in Spanish
The cost of the tickets for Death Becomes Her starts from $74 and will vary depending on the type of seats you choose.
Death Becomes Her opens on October 23, 2024, at the Lunt-Fontanne Theater in New York.
The musical is most suitable for children aged 12 and above.
Death Becomes Her is playing at the Lunt-Fontanne Theater located at 205 West 46 Street, New York, NY 10036.
Death Becomes Her is a musical adapted from the 1992 cult classic of the same name. Frenemies Madeline Ashton and Helen Sharp drink a magic potion for eternal youth but with unexpected side effects.
The running time of Death Becomes Her is 2 hours and 30 minutes with an interval.
The main stars of Death Becomes Her are Megan Hilty as Madeline Ashton, Jennifer Simard as Helen Sharp, Michelle Williams as Viola van Horn, and Christopher Sieber as Ernest Menville.
Death Becomes Her has a range of delightful songs composed by Julia Mattison and Noel Carey like Prelude and Tell Me, Ernest.